[Herald Review] Cult, money and politics in eerily lifelike ‘Master’
FilmDec 13, 2016
After almost two decades of strict censorship under the authoritarian Park Chung-hee regime, Korean cinema began producing heavily political movies following the country’s democratization in the 1980s. While some saw film as a device of pure artistic expression, a large chunk of filmmakers viewed the medium as “the most powerful political and social weapon,” according to “Korean Cinema after Liberation,” a study by Hallym University’s professor Park Seung-hyun. Countless films have since satiriz