NEW YORK (AP) ― “Blue is the Warmest Color” arrives in the United States from France this week ― and it’s bringing along some baggage.
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A file picture taken on May 26 shows French actresses Lea Seydoux (left) and Adele Exarchopoulos kissing French-Tunisian director Abdellatif Kechiche after he was awarded with the Palme d’Or for the film “Blue is the Warmest Colour” during the closing ceremony of the 66th Cannes film festival. (AFP-Yonhap News) |
On the plus side, the intense and soulful lesbian romance carries a Palme D’Or from Cannes, awarded not only to director Abdellatif Kechiche but, in a rare gesture, to his lead actresses, who received effusive praise from jury head Steven Spielberg. It’s also done boffo box office in France.
On the more complicated side, it carries a whiff of scandal ― in the form of bitter post-Cannes remarks from the stars about their working conditions ― most notably actress Lea Seydoux’s complaint in an interview that Kechiche made her feel “like a prostitute” during filming. Kechiche fired back that, well, maybe the movie just shouldn’t be released at all.
Which brings us to ... oh yes! The sex scenes.
“Blue” features sex scenes that are hugely explicit for a feature film, including one that lasts close to 10 minutes. They’ve earned the film an NC-17 rating and even a ban at one movie theater in Boise, Idaho (its liquor license is tied to a law banning certain sexual images.) There’s also been discussion of whether the lesbian sex, however explicit, was as authentic as it could have been.
All this sex talk threatens, in the view of the film’s breakout star, Adele Exarchopoulos, to overpower reaction to the rest of the movie ― which, at three hours long, has been praised by many as a singular achievement in its raw, visceral depiction of both the hypnotic power and horrible pain of a first love.
“You know, these scenes are just like the other ones, and we ask people to respect that,” says Exarchopoulos, 19, speaking in a recent interview at a Manhattan hotel, and employing a rather charming mix of confident and halting English. “I understand totally if you don’t like this scene or you are uncomfortable with it, because I know ... I myself am too!
“Because we aren’t used to that ― 10 minutes in a room with just two women loving each other. Usually in a movie you have two minutes, beautiful and sexy positions with nice lighting and nice music. Our scenes are more like life. But I do think people reduce the movie too much to these scenes.”
As for popular reaction in the United States, Exarchopoulos is, as they say, cautiously optimistic.
“People here are maybe more Puritan,” she says. “But we didn’t know before Cannes, either. When we saw Spielberg, we thought, this genius who made ‘E.T.,’ he will never love this movie, maybe it’s too raw. But then he said it was like the best love story he’d ever seen!”
Both Exarchopoulos and Seydoux, almost a decade her senior at 28, have been praised for their courage and their skill. But Exarchopoulos has been the revelation: She’s in virtually every frame of the film, which spans several years in the life of a young woman ― not coincidentally, named Adele ― in northern France.
