The 12th edition of Ballet Festival Korea will be held with 26 performances in June, the organizing committee said Tuesday, with Seoul Arts Center as the co-organizer. Under the theme of “Open Up the New Ordinary Days,” the festival will showcase old and new ballet productions by both established and emerging dancers from June 9-29. Some of the highlights include the opening performance, “Ahn Jung-geun, a Dance in the Heaven,” a 2015 production by M Ballet Company,

Ever since “Death Note,” a Japanese manga series was first introduced to the world in 2003, it has been adapted for various mediums, including animation, film and TV drama. The story of a teenage genius, Light, with superpowers that allow him to kill with a notebook, was released as a musical in Japan in 2015 and soon thereafter a Korean version featuring K-pop superstar Kim Junsu, a former member of boy band TVXQ, became a huge hit in Korea. For the show’s third local re

The South Korean performing arts scene has experienced a sharp rise in revenue thanks to the lifting of nearly all social distancing rules, like gathering limits, about two weeks ago, industry data showed Wednesday. The combined revenue of 2,051 theatrical plays, musicals, classical concerts and other performances reached 17.3 billion won ($13.7 million) from April 18 to Sunday, according to the data by the Korea Performing Arts Box Office Information System. The numbers more than trebled from 3

The “City of Light,” known as “Gwangju” in Korean, is back for the third time since it first took the stage in 2020. This time, the musical aims to reach a global audience to deliver a story of resistance and the democratic movement when it gives a preview on Broadway later this year, the musical’s production team said last week. “‘City of Light’ was created as part of an initiative to popularize the iconic protest song ‘March for the Be

Blue Man Group, a nonverbal stage show that blends art, technology, music and comedy, is coming back to meet Korean audiences after a pandemic-induced delay, its Korean distribution company Mast Entertainment said Monday. The Blue Man Group features three bald and blue characters, who “explore the world and discover music, comedy and surprises at every turn.” Since its debut in 1991 in New York, the show has been performed in front of more than 35 million people around the world.

In the dark reality of the pandemic, a long-running classic has brought a sense of hopeful nostalgia to the stage. “The Lion King” is back in Seoul after nearly 3 years, and has once again shown why it captures so many hearts. As the curtains go up, the audience is immediately enraptured by the march of animals as Futhi Mhlong, who has been playing mandrill Rafiki for the past 14 years, sings “Circle of Life.” Even though the iconic entry of the animals through the a

While “short form” or “mid form” content which immerse audiences in a story with rapid plot developments appear to be an irreversible trend in movies and TV dramas, a number of stage plays have gone against the tide with productions that run as long as eight hours. “Angels in America,” “The Brothers Karamazov,” and “The Geumjo Story,” are among the many recent works that are far longer than the typical play length of 80 to 100 minute

Hwang Hee, the minister of culture, sports and tourism, met with six executives of the top three local multiplex operators -- CGV, Lotte Cinema and Megabox -- at CGV Yongsan in central Seoul on Saturday, on the first day of the five-day Lunar New Year holiday. After a thorough quarantine inspection at the theater, he listened to the difficulties the movie operators are experiencing while doing business under the government’s stringent measures to prevent the spread of COVID-19. “S

The Asia Culture Center’s international joint creation and production “After War” is to run at the ACC Theater from Jan. 27-30. With an attempt to study and promote the Asian characteristics of performing arts, the ACC international joint creation and production seeks to provide opportunities for performing artists and producers across the world to come together for exchange and research. “After War,” inspired by Bao Ninh’s “The Sorrow of War,”

Popular Korean TV series will return to the stage as musicals to meet the rising demand from fans who long to enjoy their favorite shows in diversified formats. The smash-hit rom-com "Crash Landing On You" (2019) with Hyun Bin and Son Ye-jin in starring roles will come back in the form of a musical in September at COEX in southern Seoul. The 16-episode "Crash Landing On You," which aired simultaneously on the South Korean cable channel tvN and Netflix, is about star-crossed

Broadway-born musical “Hadestown,” which made its first landing in Korea in September last year, was honored with the grand prize at the sixth Korea Musical Awards, hosted by the Korea Musical Theatre Association, on Monday. Korea Musical Awards are given annually to selected musicals among those that premiered over the previous year. For this year, the performance of “Hadestown” beat prominent fellow candidates such as “Who Lives in the Kuroi Mansion?” &ldq

The Korea National Contemporary Dance Company will offer eight programs, ranging from new creations to its signature repertoire, this year. KNCDC’s first performance is set to kick off in April with “Writing Using,” which is created by renowned choreographer Ahn Ae-soon, KNCDC’s second artistic director, according to the state dance company Tuesday. The production will show the story of the feelings of the dancers’ bodies through dance. “Tiny, Round, Clu

”The Brothers Karamazov,” an original musical produced by a South Korean production company, will hit a major theater in Shanghai in June, Orchard Musical Co. said Tuesday. The Korean musical is the first original musical licensed to take the stage at the Shanghai Grand Theater. “The Brothers Karamazov” is a small-budget musical that is based on Russian writer Fyodor Dostoevsky’s novel of the same title. The show premiered in 2018 in South Korea and has returned

South Korea’s performing arts sector grew almost 80 percent in terms of revenue in 2021, despite the prolonged COVID-19 pandemic, but insiders said uncertainty still looms over the industry in 2022. In 2021, revenue from theatrical plays, musicals, classical concerts and other performances stood at 307 billion won ($258 million), jumping 78 percent from 172 billion won recorded in 2020, data from the Korea Performing Arts Box Office Information System showed. The recovery was backed

Despite the prolonged COVID-19 pandemic, the South Korean performing arts sector saw a steady recovery this year, data showed on Wednesday. In this month so far, revenue from theatrical plays, musicals, classical concerts and other performances stood at 47.7 billion won ($40.21 million), surpassing the 40-billion-won mark for the first time since the outbreak of the COVID-19 pandemic, according to data from the Korea Performing Arts Box Office Information System (KOPIS). The December reco